One of the things I worked extra hard on this year was my blog photography. When we moved to California, right at the end of 2012, I decided to take a fresh start and really focus on the photos I put on my blog. Of course, my photos weren’t amazing right away, and even still (a year later) I’m still working to improve them, but the difference a year of practice, experimenting, trial and error, and creativity has made has been huge.
You may know that I take 80% of the photos on my blog. More than half of my outfit photos are taken by myself with a tripod. And if you didn’t know this, then I’m doing something right, because my goal with each tripod shoot is to make you think that a real photographer took them.
At least once a week I get questions about my photography, and when people find out I use a tripod, they ask for advice. So here we are…everything I’ve learned about being my own blog photographer. Grab a snack or something, cause here we go!
|all photos taken with my tripod. The photos at the top of the collage went very dark for some reason when I uploaded it and are not like the original. Just so you know.
First of all, let me tell you a few of the reasons why it’s important for me to have great photography.
- People appreciate and are drawn toward beautiful photos. People are more likely to engage and stick around on a blog that has beautiful photos. People are more likely to pin beautiful photos. You may say it’s superficial, but I say it’s reality. Even if you just blog for fun, you want to engage your readers, and you probably still want to gain a greater readership, and making an effort with your photography is definitely a huge part of that.
- The power of blogging and social media is unmatched these days, and companies are reaching out to bloggers for all kinds of great advertising. For me, those companies who I work with, who are sending me their product for a feature, deserve my best work. I want to make each collaboration special and memorable to them so they want to maintain a relationship.
- My blog is my portfolio. I don’t really know where I’ll be in five or ten years, or what opportunities will present themselves, but when companies or people find my corner of the internet, I want them to really be able to see what I do, and be able to focus on my content without the distraction of poor photography. In fact, just in the last few months, I’ve tried to make every photo, even my simple tutorial step photos better, because I’m realizing that every. photo. counts.
- Every single company, website, or idea has to constantly be improving and morphing to the demands of society. If you’re not consistently and proactively evolving, you can easily get left behind. For me, constantly improving my photography helps me along that path toward bigger and better things every day.
So now that you know why I do it, let’s talk about Materials.
- Tripod: I have a really basic one, like this one from Amazon. I’ve had it for three or four years and it’s basically still in brand new condition. No need to buy anything fancy — just as long as it’s one that extends roughly to your height.
- Remote: I have this one from Amazon. There are a million out there, but I love this one because it’s small and easy to hide in pictures, which is key for me (so I can trick you all into thinking I have a photographer!!)
- Lenses: I’ve owned a handful of lenses over the years since I got my DSLR, but I’ve loved none as much as my 50mm f/1.4 lens. It’s pricey, but it allows you to get a really nice blurred background, is great in low-light situations, and just takes gorgeous photos. It’s the only lens I use for my blog photos now.
- Camera: I started out with a Nikon D40x (now a discontinued model) and then upgraded to a Nikon D7000 two years ago. The D7000 is a much nicer camera, but that doesn’t matter for this — you just need a camera that works with a remote.
- Photoshop: I have Photoshop CS4 that my husband bought me after I graduated college, but I’ve also worked with Photoshop Elements and it has a lot of the same capabilities (and is a lot cheaper).
- Outfit shoots with a real photographer take 5-10 minutes. Tripod shoots take me 25-30 minutes. So plan for the extra time.
- I’ve found 3 or 4 locations that each have 2-4 locations within them. I use these areas regularly since they’re secluded and have decent lighting. I also shoot in my home quite a bit since there is good lighting in my front room (and it’s incredibly convenient!)
- When my husband took my pictures, we would do them at dusk when he got home from work. Now with Daylight Savings, it gets dark so early (which is why he doesn’t take my photos at all anymore), and I have to work around my boys schedules. I typically go around 10:30 or 11:00 am, and just stick to shady areas so I avoid any harsh shadows.
- I’ve also found that Sunday afternoons are good for me. My husband always takes a nap after church, as does the baby, so I grab several outfits to shoot and then bring Peanut along with me for an hour. Business complexes are deserted on Sundays, so I get most of my urban shots in on those days.
- UPDATE: I do all my outfit changes in the car. I plan my outfits to be shot in an order that’s as easy as possible to change from one to the other (ie. skirt outfit first, then pants are easy to slip on underneath without flashing everyone)
- Even though I shoot several outfits at a time, these are all outfits I’ve worn during the week — I never shoot an outfit I don’t actually wear! This is real life style 🙂
- The several locations I go to have a big parking lot, or are part of a park, so I park the car and then let Peanut get out and play by the car with some toys I bring along. Buck stays in the carseat with the doors open or the windows rolled down, and is either asleep, or gets a snack to keep him content while I shoot.
- This is a huge part that I forgot to mention. Learn your camera! I only shoot in Manual Mode, and although it’s a steep learning curve, your photos turn out unbelievably better when you know how to use it. I learned by reading a lot of online tutorials and a LOT of trial and error.
- For me, I think the nice blurred background makes your outfits really stand out without a lot of background distraction, and working in manual mode is the only way to get your depth of field as shallow as it can go (which achieves that super blurry background). Otherwise the camera just chooses for you.
- There are a million tutorials and posts out there that cover how to use it, so I won’t even get into it. But LEARN. YOUR. CAMERA.
- The key to getting shots that aren’t obviously taken by a tripod is creativity:
- Location, obviously. I’m always on the lookout for new spots that will work. Also, see above.
- Angles: Try lots of different shots — super wide angles, close-ups, from the back, side, etc. The reason my shoots take so long is because I take about fifty photos, trying all sorts of different poses and angles. Some work, some don’t, but just keep trying new things.
- Poses: Maybe it’s because I’ve been doing tripod photos for so long, but I can spot a tripod photo from almost a mile away. Usually it’s because of the poses or the facial expressions. People make faces and do poses for a tripod that they typically wouldn’t for a photographer, and to me they stand out. Pretend there’s a person taking the photo, and just be as normal and relaxed as you can. Yes, it’s awkward that you’re taking photos of yourself, but move past it and act as natural as possible.
- Focusing the Camera: I struggled with focus for a long time, and still have little blips here and there. But here are three little tips that I’ve found work for me:
- I use AutoFocus, and I make sure that my Priority Selection is set to Focus, rather than Release (since release allows it to take a photo even if it’s not focused).
- Make sure your camera is set to as many AutoFocus points as possible. Mine allows either 11 or 39, so I always have mine on 39, which helps the camera keep my whole body in focus while shooting.
- If it’s not focusing on me and I can’t figure out why, I go stand in front of the camera, about 2 feet away, and take a picture with the remote. Because my distance to the camera has changed drastically, the autofocus will change to try to get me in focus, and that sort of resets it. Then when I back up again, it re-focuses again and starts working. Very technical, right? 🙂